"A orfandade das obras digitais" é o título de um artigo da autoria do habitual colunista no Público Francisco Teixeira da Mota.
É suficientemente elucidativo da questão que, com muita propriedade, o conhecido advogado de causas polémicas abordou o tema do ponto de vista que suscita o interesse de um jurista.
Procurei na net informação mais detalhada sobre o tema, encontrei um artigo no NYT de que transcrevo endereço e as linhas iniciais para abrir o apetite por coisas destas.
An A.I.-Generated Picture Won an Art Prize. Artists Aren’t Happy. - c/p New York Times
“I won, and I didn’t break any rules,” the artwork’s creator says.
This year, the Colorado State Fair’s annual art competition gave out prizes in all the usual categories: painting, quilting, sculpture.
But one entrant, Jason M. Allen of Pueblo West, Colo., didn’t make his entry with a brush or a lump of clay. He created it with Midjourney, an artificial intelligence program that turns lines of text into hyper-realistic graphics.
Mr. Allen’s work, “Théâtre D’opéra Spatial,” took home the blue ribbon in the fair’s contest for emerging digital artists — making it one of the first A.I.-generated pieces to win such a prize, and setting off a fierce backlash from artists who accused him of, essentially, cheating.
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