Francis Bacon Triptych Sells for $84.6 Million
A Francis Bacon triptych sold tonight (29/6) for $84.6 million with fees at Sotheby’s inaugural digitally streamed “live” auction
of contemporary and Impressionist art that replaced its postponed May
evening sales in New York. A global online audience watched the
company’s star auctioneer, Oliver Barker, take bids from international
colleagues on screens in an empty salesroom in London specially adapted
for the coronavirus pandemic.
After a
10 minute duel, the Bacon was finally bought by a telephone bidder in
New York against determined competition from an online opponent in
China. The price is the third-highest ever achieved for the artist at
auction.
The celebrated British artist’s “Triptych Inspired by the Oresteia of Aeschylus” (1981), was being sold by the Astrup Fearnley Museet,
a private museum in Oslo founded by the Norwegian collector Hans Rasmus
Astrup. Entered for the auction before the coronavirus lockdown, the
Bacon had been guaranteed by Sotheby’s to sell for at least $60 million,
making it the most valuable work so far offered at auction this year.
The pandemic has made wealthy owners wary of selling trophy pieces.
“It’s
a bit late, but it’s an important work from a good collection,” James
Holland-Hibbert, a leading London-based dealer in 20th century British
art, said of the triptych by Bacon, whose most prized works date from
the 1950s, ’60s and ’70s. The presale estimate of $60 million was “not
unreasonable,” given that the museum had previously tried to sell the
work privately for more than $100 million, Mr. Holland-Hibbert said. “It
was not entirely fresh to the market.”
Bacon’s
characteristic depiction of three animal-like figures in claustrophobic
interiors was the first large-scale triptych to have appeared on the
auction market since 2014. A year earlier, the artist’s 1969 triptych,
“Three Studies of Lucian Freud,” had sold for a record $142.4 million, at the time the highest price ever paid for an artwork at auction.
The
evening sale may shatter a record for the most tired auctioneer ever:
With the time differences in three cities, Oliver Barker hammered down
his last work at 2:51 a.m. Tuesday in London (it was 9:51 a.m. Tuesday
in Hong Kong). And there was still one more auction, of Impressionist
and Modern Art, to go.
Christie’s Gets Creative for 20th-Century Art Auction in July
The
sale, which includes works that were to be sold in New York in May,
will be a hybrid: in-person (where allowed) and online in a format
tailored for the coronavirus era.
By
Christie’s has a new auction format for a July 10 event that it hopes will revive at least some of the drama — and the prices — of the live evening sales that were held pre-pandemic.
Billed as “ONE: A Global Sale of the 20th Century,”
the auction will include a livestream with auctioneers offering works
of Impressionist, modern and contemporary art in consecutive sessions
from Christie’s salesrooms in Hong Kong, Paris, London and New York.
This
gives owners of high-value artworks an opportunity to sell in a
globally marketed live sale preceded by public exhibitions where
allowed. Since the advent of the pandemic, auction houses have had to
rely on more routine online-only sales to generate revenue, which
require bidders to buy items without physically examining their quality
or condition. Buyers are rarely confident enough to bid above $1
million.
This relay-style auction is
expected (perhaps optimistically) to last about two hours and consists
of 50 to 70 lots. It will start in Hong Kong at 8 p.m. local time, then
progress across time zones, becoming an afternoon sale in Europe and a
morning sale in the United States, finishing by about 10 a.m. Eastern
time. Buyers can bid online, by telephone, and, where “government advice
allows,” in the salesroom, Christie’s said in a statement.
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